College and high school College and high school A Changing Lifestyle Last August, as a high school senior, I made a big transition in my life.
We are neither affiliated with the author of this essay nor responsible for its content. The narrator of Raymond Carver's "Cathedral" is a man living a life of monotony, continuously feeding the cold and bigoted mind that we witness for the first part of the story.
The process of guiding Robert through the drawing of the cathedral, removes the narrator from that dark looking glass and initiates a tranformation in which he is compelled to meet himself face to face; this awakening stirs the narrator's humility, imagination, and faith.
It is human nature to embrace preconceptions regarding the facets of daily life, from politics to people. It is, as well, innate to consider oneself better than another. An awakening such as the narrator's, however, ruptures the protective shield that surrounding steadfast biases, and forces the person to assess their position in the greater schema of humankind.
A bias that surfaces early on, is the mention of Robert's wife, "Beulah! The narrator possesses several other prejudices that also hinder his humility. Later on, for example, the narrator sees Robert for the first time and the man's appearance startles him: A beard on a blind man!
For instance, Robert gives facts that he has just heard off the television, demonstrating his limited knowledge.
The narrator then attempts a description of a Cathedral, "they're really big," the narrator explains, "they're massive;"and subsequently realizes just how little he knows as well. The narrator realizes that with the gift of sight he can really see little more than a blind man.
And it is here that the narrator awakens to his newly humbled -- equal -- position alongside Robert. Up to this point, the narrator fancied himself a superior person because of his sight. Suddenly, with this moment of awakening, down came that shield protecting his closed-minded presumptions.
By engaging in the same action that helped him realize his humbleness, the narrator retrieves his imagination. For so long he had been stifling his innate creativity, choosing instead to allow outside forces create images and art for him.
Robert coerces the narrator into sketching a cathedral, unlocking the door behind which the narrator had been keeping his imagination.
This brings to light just how important and self-fulfilling that imagination had once been to him and could be again: First I drew a box that looked like a house. It could the house I lived in.
Then I put a roof on it.
I put in windows with arches. I drew flying buttresses. I hung great doors. That is, the narrator placed in perspective what a steady diet of television and drinking had been holding him back from; here he is reacquainted with his estranged imagination, not able to stop drawing because with the sketch comes a flood of new spiritual enlightenment.
The narrator doesn't rest here for long, however, forced to stretch his imagination even farther when the television goes off the air.
Now the narrator is forced to use his imagination in its purity. I closed them just like he said.Awakenings in Raymond Carver's Novel Cathedral PAGES 4. WORDS 1, View Full Essay.
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Exactly what I needed. - Jenna Kraig, student @ UCLA. Raymond Carver has books on Goodreads with ratings. Raymond Carver’s most popular book is What We Talk About When We Talk About Love.
Full text of "The official report of the opening of All Saints' Cathedral at Halifax, N. S., the Canadian Church Congress and other proceedings at Halifax, Windsor and Annapolis Royal, N. S.: in connection with the Bicentenary Commemoration of the Church of England in Canada, " See other formats.
- Raymond Carver's Cathedral Raymond Carver utilizes his character of the husband, who is also the narrator, in his short story "Cathedral." From the beginning of the story the narrator has a . Titles in ComicBase 15 Updated on Wednesday, November 27, PM # Magazine Archive Files: The James Bond Girls The Novel: 52/WW III Part Four: United We Stand: 52/WW III Part One: A Call to Arms: Adventures of Raymond Childe, The: Adventures of Red Sonja.
Raymond Carver’s short story “Cathedral” and Alice Walker’s “Everyday Use” are studied to see how the husband in Carver’s work is blinder than his visually-impaired overnight guest, and the college-educated Dee in Walker’s story is more ignorant than her uneducated Mama and sister with learning difficulties.